The photograph below was taken of my wife’s nan, Joan Stevens, a week before she passed away. The image was taken in the hospice where she passed only a week later. The image continues my photographic exploration. Today we put her to rest.
The image was taken using a Zero Image 2000 pinhole camera, Ilford Pan F 50 film and a 30 minute exposure.
Over recent weeks I’ve been increasingly making Art Photobooks using a range of my previous projects. This is the fifth one so far, printed and ready for binding.
From adventures in to Dorset last summer
Underpasses and Bridges – a mini series shot using Ilford Pan-F 50ISO medium format film to a ratio of 6×24. All images were photographed in and around the Portsmouth area.
Secret Dockyard was a photographic project during 2011 to 2012 documenting the conservation areas of Boathouse No4 in the Historic Dockyard, Portsmouth. A historical structure in its own right, Boathouse No4 was a key part in preparations for D-Day and other aspects of World War Two.
The aim of the project was to show these otherwise unseen areas so they could be accessible to the public through photography. The photographs themselves serve as a preservation of the areas, documenting them for generations to come. The series was shot using large format 10×8″ black and white film and a series of fibre based contact prints which were treated using selenium. The process of the fibre based prints and the selenium helps to preserve the photographs for as long as possible.
Through exhibition, Secret Dockyard was presented in cabinets with a glass lid. The cabinet serving as the walls of the museum with the artifacts inside. A large print of an overview of Boathouse No4 featured above the cabinets as the facade to a museum does from the street it is on.